Wall paintings

Walls were painted lavishly to indicate the status of the residents. The subjects of these paintings were birds and animals, social scenes, festivals and heroic deeds of men. The paintings in temples were usually based on stories of devotion and sacrifice from the epics Ramayana and Mahabharata. They were categorised into three segments-

1.   Paintings on plastered walls – These paintings were painted with a mixture of colour powder along with vegetable dyes and lead based pigments.

2.   Fresco Buono technique – This European technique of painting consists of lime coat thoroughly mixed with marble dust to prevent the colours going dull or peeling off. Before the coat is dry, the painting is completed.

3.   Graffito Art – This art form is a European influence and seems to have originated in Maharashtra, which forms one of the borders of Goa and appears on the walls of most of the temples in Goa. The design is scratched out on the plastered wall while it is wet to the base level, and then the exposed area is filled with a mixture of lime and red oxide. Stencil designs are also cut out in various forms and placed on the surface of the walls, and the colour is then filled in the cutouts.

These paintings depict the Portuguese influence on Goa. The word Azul is derived from the Portuguese word meaning blue. These painted works are all in the single colour blue. This art form was found in the walls of Portuguese mansions, social organisations and institutions. The subjects of these paintings were battle scenes, voyages, sceneries, flora and fauna and influence of the Portuguese on this land depicted on richly decorated picture frames.